Overview

Label Curatorial is a research and exhibition platform founded by curator and writer Laura Whitcomb that focuses on the intersections of art, experimental music, poetry, and esoteric traditions within the history of California’s avant-garde. Drawing on Whitcomb’s long-term scholarship, the curatorial investigates the influence of Surrealism, hermetic philosophy, and émigré artists on postwar movements such as Light and Space, Funk, and California Conceptualism. Its projects include exhibitions and publications on subjects such as the Dilexi Gallery and Bay Area artist- and poet-run spaces, the archives of Surrealist painter Gordon Onslow Ford, and the rediscovery of the channeler-artist Paulina Peavy, alongside programming that explores the cultural connections between visual art, experimental composition, and performance.

Recent Projects

Dilexi

a Gallery & Beyond

Exhibitions

The Dynaton
Lucid Art Foundation

Spring 2026
Château Shatto
Los Angeles, California

Château Shatto, in active collaboration with the Lucid Art Foundation, presents The Dynaton, curated by Laura Whitcomb, an exhibition that revisits and expands the 1951 San Francisco Museum of Art show that first brought together Gordon Onslow Ford, Wolfgang Paalen, and Lee Mullican under the name of “the possible.” Drawing on major works and archival materials from the Lucid Art Foundation and from galleries that have been central to championing Surrealism and its legacies in California, the project approaches Dynaton as a charged convergence of cosmology, experimental psychology, physics, and indigenous epistemologies, and as a pivotal reconfiguration of Surrealist thought in a postwar Pacific context.

Publications

Alan Lynch
Château Shatto

Spring 2026
Los Angeles, California

Alan Lynch’s art practice was defined by wide philosophical and reverential systems. These took root in the artist through his early study of judo, then expanded into a sustained practice of Sōtō Zen Buddhism––with Lynch eventually being ordained a monk––and a transcendental understanding of the material world that characterized his relations to it. Château Shatto discovered the work of Lynch through Laura’s Dilexi publication and now represents the estate. Laura collaborated on the project and contributed an essay: Alan Lynch: A Brush Stroking the Void.

About Laura

Laura Whitcomb is a curator, writer, and fashion designer whose interdisciplinary career spans contemporary art, fashion, music, and cultural history, with a particular focus on the influence of Surrealism, hermetic traditions, and experimental culture in California.

Beginning her career in the late 1980s, she wrote for publications such as Blitz and contributed to the underground anthology Apocalypse Culture, while also organizing early curatorial projects that connected fashion and contemporary art. She later founded the clothing line and gallery space Label in New York’s SoHo (1990s–2010), where exhibitions and fashion collections engaged shared conceptual themes. Whitcomb has since developed a body of scholarly research and exhibitions examining the intersections of art, occult philosophy, experimental music, and California avant-garde movements, including work as a resident scholar at the Gala-Salvador Dalí Foundation in Figueres. Through exhibitions, publications, and archival research—including projects on the Light and Space movement, artist- and poet-run galleries in the Bay Area, the Dilexi Gallery, and the channeler-artist Paulina Peavy—her work traces how émigré Surrealists, alternative art spaces, and experimental composers helped shape postwar California art and its broader cultural networks.

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